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SUMMARY:Iberian Modernist Studies Collaborative Colloquium: Miguel Caballero
DESCRIPTION:\n&ldquo\;Modernism and Monumentalism: The Gigantic Scale of
	 Construction in Transatlantic Perspective&rdquo\;\n\nwith Miguel Caball
	ero (Northwestern University)\n\nThe consolidation of the skyscraper in 
	the United States and the emergent cult to ruins and the grandiloquent s
	cale of construction in Fascist Italy\, Nazi Germany\, and Stalinist Sov
	iet Union set the intellectual debates about monumentalism at the center
	 during the 1920s&ndash\;1930s. This talk explores the articulation of t
	his debate in the Ibero-Mexican context through the analysis of the theo
	retical and historiographic work of Mexican architect and archaeologist 
	Francisco Mujica. Mujica&rsquo\;s History of the Skyscraper (1929) is on
	e of the first in its genre. He accompanied it with a theory of the arch
	itectural repressed in which he connected pre-Columbian teocallis with m
	odern skyscrapers through their monumentalism\, in contrast to the Spani
	sh human-based scale of construction. Despite his rather de-colonial app
	roach to aesthetic theory\, he eventually sold his archaeological drawin
	gs to the Francoist Museum of America. I frame the analysis of his work 
	in the context of the modernist discussions about monumentalism that con
	nected the gigantic scale of construction with transatlantic history.\n\
	nContact info: Krista Brune (kbrune@psu.edu) and Nicol&aacute\;s Fern&aa
	cute\;ndez-Medina (nuf3@psu.edu)\n\n&nbsp\;\n\nFor more details: https:/
	/events.la.psu.edu/event/hi_miguel-caballero/
X-ALT-DESC;FMTTYPE=text/html:<html><head></head><body><p><b>&ldquo;Moder
	nism and Monumentalism: The Gigantic Scale of Construction in Transatlan
	tic Perspective&rdquo;</b></p><p>with Miguel Caballero (Northwestern Uni
	versity)</p><p>The consolidation of the skyscraper in the United States 
	and the emergent cult to ruins and the grandiloquent scale of constructi
	on in Fascist Italy, Nazi Germany, and Stalinist Soviet Union set the in
	tellectual debates about monumentalism at the center during the 1920s&nd
	ash;1930s. This talk explores the articulation of this debate in the Ibe
	ro-Mexican context through the analysis of the theoretical and historiog
	raphic work of Mexican architect and archaeologist Francisco Mujica. Muj
	ica&rsquo;s <i>History of the Skyscraper</i> (1929) is one of the first 
	in its genre. He accompanied it with a theory of the architectural repre
	ssed in which he connected pre-Columbian teocallis with modern skyscrape
	rs through their monumentalism, in contrast to the Spanish human-based s
	cale of construction. Despite his rather de-colonial approach to aesthet
	ic theory, he eventually sold his archaeological drawings to the Francoi
	st Museum of America. I frame the analysis of his work in the context of
	 the modernist discussions about monumentalism that connected the gigant
	ic scale of construction with transatlantic history.</p><p>Contact info:
	 Krista Brune (<a href="mailto:kbrune@psu.edu">kbrune@psu.edu</a>) and N
	icol&aacute;s Fern&aacute;ndez-Medina (nuf3@psu.edu)</p><p>&nbsp;</p><p>
	For more details: <a href='https://events.la.psu.edu/event/hi_miguel-cab
	allero/'>https://events.la.psu.edu/event/hi_miguel-caballero/</a></p></b
	ody></html>
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