The Penn State Film Studies Working Group
The Film Studies Working Group, formerly known as Comparative Literature Film Screening Series, aims to bring together graduate students and early-, mid-, and senior-career faculty who work on film at Penn State. Fostering a series of conversations across departments about the filmic medium, this project will create a vibrant network for scholars to meet, share
The Penn State Film Studies Working Group
“Camera-Eye” (Jean-Luc Godard, 1967) (excerpted from Far from Vietnam, 1967) (ten minutes) Black Panthers (Agnès Varda, 1968) (thirty minutes) Black Panther aka Off the Pig (San Francisco Newsreel, 1968) (fifteen minutes) America aka Amerika aka Amerikkka (New York Newsreel, 1969) (thirty minutes) Followed by a presentation, “International Cinematic Solidarity: Montage, Movement, and Revolutionary Cinema Circa
The Penn State Film Studies Working Group
The Film Studies Working Group, formerly known as Comparative Literature Film Screening Series, aims to bring together graduate students and early-, mid-, and senior-career faculty who work on film at Penn State. Fostering a series of conversations across departments about the filmic medium, this project will create a vibrant network for scholars to meet, share
The Penn State Film Studies Working Group
The Film Studies Working Group, formerly known as Comparative Literature Film Screening Series, aims to bring together graduate students and early-, mid-, and senior-career faculty who work on film at Penn State. Fostering a series of conversations across departments about the filmic medium, this project will create a vibrant network for scholars to meet, share
The Penn State Film Studies Working Group
The Film Studies Working Group Collaborative Colloquia continue with the screening of Claire Denis’ Trouble Every Day (2001, 101 min.) and a joint faculty-graduate student presentation by FSWG’s very own Dr. Sabine Doran (Germanic and Slavic Languages and Literatures; Jewish Studies) and PhD candidate Adam DeCaulp (Comparative Literature; Asian Studies)! The Film Studies Working Group, formerly known as Comparative Literature Film Screening Series, aims to bring together graduate
The Penn State Film Studies Working Group
The Film Studies Working Group Collaborative Colloquia continues with Seeing Touch, a screening of three experimental short films, and a joint faculty-graduate student presentation by FSWG’s very own Professor Chris Reed (English, Visual Studies) and PhD candidate Merve Şen (Comparative Literature, Visual Studies)! Two very different feminist takes on film-making that engage the dynamic relationships
The Penn State Film Studies Working Group
The Film Studies Working Group, formerly known as Comparative Literature Film Screening Series, aims to bring together graduate students and early-, mid-, and senior-career faculty who work on film at Penn State. Fostering a series of conversations across departments about the filmic medium, this project will create a vibrant network for scholars to meet, share