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DTSTART:20201101T020000
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DTSTART:20200308T020000
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UID:16485-60aa8cd40acbfdf5f456dd62c3603f75@events.la.psu.edu
DTSTAMP:20260514T201052Z
DTSTART;TZID=America/New_York:20251014T150000
DTEND;TZID=America/New_York:20251014T163000
SUMMARY:Workshop: The Aesthetic Display of Perpetrators and Reenactments of Viol
	ence in Joshua Oppenheimer’s The Act of Killing (2012)
DESCRIPTION:\nThe workshop discusses an essay film that has made waves s
	ince its release in 2012. The Act of Killing\, which could be addressed 
	as a reality-based horror movie\, traces the status quo of an ‘open secr
	et’: the Indonesian mass killings in 1965/6—a forgotten genocide. The ci
	nematographic experience provides insight into the twisted intrapsychic 
	dynamics of the perpetrators by focusing on their ‘post-atrocity perpetr
	ator symptoms.’ Via detailed reenactments of violence\, the functioning 
	of their mechanisms of guilt denial\, lack of empathy\, boasting techniq
	ues\, and persisting hubris becomes obvious. The individual defenses are
	 accompanied by a neglected national memory and the beginning of a proce
	ss of working-through\, which was finally activated after the release of
	 the film.\n\nFor more details: https://events.la.psu.edu/event/workshop
	-aesthetic-display-of-perpetrators/
X-ALT-DESC;FMTTYPE=text/html:<html><head></head><body><p>The workshop di
	scusses an essay film that has made waves since its release in 2012. <em
	>The Act of Killing</em>, which could be addressed as a reality-based ho
	rror movie, traces the status quo of an ‘open secret’: the Indonesian ma
	ss killings in 1965/6—a forgotten genocide. The cinematographic experien
	ce provides insight into the twisted intrapsychic dynamics of the perpet
	rators by focusing on their ‘post-atrocity perpetrator symptoms.’ Via de
	tailed reenactments of violence, the functioning of their mechanisms of 
	guilt denial, lack of empathy, boasting techniques, and persisting hubri
	s becomes obvious. The individual defenses are accompanied by a neglecte
	d national memory and the beginning of a process of working-through, whi
	ch was finally activated after the release of the film.</p><p>For more d
	etails: <a href='https://events.la.psu.edu/event/workshop-aesthetic-disp
	lay-of-perpetrators/'>https://events.la.psu.edu/event/workshop-aesthetic
	-display-of-perpetrators/</a></p></body></html>
LOCATION:Dewey Room, (W043A), Collaboration Commons, Pattee Library
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