BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//events.la.psu.edu//EN
CALSCALE:GREGORIAN
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:STANDARD
DTSTART:20201101T020000
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
RRULE:FREQ=YEARLY;BYMONTH=11;BYDAY=1SU
END:STANDARD
BEGIN:DAYLIGHT
DTSTART:20200308T020000
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=2SU
END:DAYLIGHT
END:VTIMEZONE
BEGIN:VEVENT
UID:18690-9ee9fd5ff40b2e6f2020ca2e384e3ce9@events.la.psu.edu
DTSTAMP:20260425T195321Z
DTSTART;TZID=America/New_York:20260401T163000
DTEND;TZID=America/New_York:20260401T163000
SUMMARY:\"The Necromantic State: Spectral Remains in the Afterglow of Venezuela’
	s Bolivarian Revolution\"
DESCRIPTION:\nIn 2013\, televisions across Venezuela announced the death
	 of Hugo Chávez. Chávez’s death\, however\, was not the end of Chávez’s 
	life. In this talk\, Irina Troconis examines how Chávez\, as a “specter\
	,” has lingered in Venezuela’s public\, private\, and digital spaces. Mo
	bilizing a methodological framework she calls "ghost h(a)unting" and foc
	using on contemporary Venezuela\, Troconis examines a corpus that includ
	es a computer app\, collectible phone cards\, and a hologram haunting th
	e streets of Caracas\, as she contends that\, in moments of  political t
	ensions and crises of legitimacy\, the state brings the dead back to lif
	e to negotiate the terms of its survival. By showing how this necromanti
	c performance enables the state’s material and visual manifestations in 
	public and private spaces\, Troconis untangles a sociopolitical moment i
	n which the ghostly does not challenge official narratives but rather ac
	ts as a force that grounds state authority\, circumscribing in the proce
	ss political imagination.\n\nIrina R. Troconis is assistant professor of
	 Latin American studies in the romance studies department at Cornell Uni
	versity. Her research explores the relationship between memory\, politic
	s\, and cultural production in contemporary Latin America\, with a speci
	fic focus on Venezuela. She is the co-editor of Deborah Castillo: Radica
	l Disobedience (HemiPress\, 2019) and the co-organizer of the conversati
	on series “Re-thinking Venezuela.” Her work has appeared in Latin Americ
	an Research Review\, Latin American Literary Review\, Comparative Litera
	ture Studies\, Revista Iberoamericana\, The Journal of Media Art Study a
	nd Theory\, among others. Her first book\, The Necromantic State: Spectr
	al Remains in the Afterglow of Venezuela’s Bolivarian Revolution (Duke U
	P\, 2025) explores through the lens of spectrality the memory narratives
	 and practices developed around the figure of Hugo Chávez in the decade 
	following his death. Her second book project focuses on the relationship
	 between identity\, materiality\, and the gaze in poetic and artistic wo
	rks emerging from and about the Venezuelan diaspora.\n\nFor more details
	: https://events.la.psu.edu/event/the-necromantic-state/
X-ALT-DESC;FMTTYPE=text/html:<html><head></head><body><p>In 2013, televi
	sions across Venezuela announced the death of Hugo Chávez. Chávez’s deat
	h, however, was not the end of Chávez’s life. In this talk, Irina Trocon
	is examines how Chávez, as a “specter,” has lingered in Venezuela’s publ
	ic, private, and digital spaces. Mobilizing a methodological framework s
	he calls "ghost h(a)unting" and focusing on contemporary Venezuela, Troc
	onis examines a corpus that includes a computer app, collectible phone c
	ards, and a hologram haunting the streets of Caracas, as she contends th
	at, in moments of  political tensions and crises of legitimacy, the stat
	e brings the dead back to life to negotiate the terms of its survival. B
	y showing how this necromantic performance enables the state’s material 
	and visual manifestations in public and private spaces, Troconis untangl
	es a sociopolitical moment in which the ghostly does not challenge offic
	ial narratives but rather acts as a force that grounds state authority, 
	circumscribing in the process political imagination.</p><p><strong>Irina
	 R. Troconis</strong> is assistant professor of Latin American studies i
	n the romance studies department at Cornell University. Her research exp
	lores the relationship between memory, politics, and cultural production
	 in contemporary Latin America, with a specific focus on Venezuela. She 
	is the co-editor of <em>Deborah Castillo: Radical Disobedience</em> (Hem
	iPress, 2019) and the co-organizer of the conversation series “Re-thinki
	ng Venezuela.” Her work has appeared in <em>Latin American Research Revi
	ew</em>, <em>Latin American Literary Review</em>, <em>Comparative Litera
	ture Studies</em>, <em>Revista Iberoamericana</em>, <em>The Journal of M
	edia Art Study and Theory</em>, among others. Her first book, The Necrom
	antic State: Spectral Remains in the Afterglow of Venezuela’s Bolivarian
	 Revolution (Duke UP, 2025) explores through the lens of spectrality the
	 memory narratives and practices developed around the figure of Hugo Chá
	vez in the decade following his death. Her second book project focuses o
	n the relationship between identity, materiality, and the gaze in poetic
	 and artistic works emerging from and about the Venezuelan diaspora.</p>
	<p>For more details: <a href='https://events.la.psu.edu/event/the-necrom
	antic-state/'>https://events.la.psu.edu/event/the-necromantic-state/</a>
	</p></body></html>
LOCATION:158 Willard Building
END:VEVENT
END:VCALENDAR