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DTSTART:20201101T020000
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DTSTAMP:20260911T175218Z
DTSTART;TZID=America/New_York:20231017T120000
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SUMMARY:HI Resident Lecture: Jooyeon Rhee
DESCRIPTION:&ldquo\;(Un)masking Colonial Subjectivity: Kim Naesŏng and M
	odern Korean Detective Fiction&rdquo\;\n\nA Faculty Scholar Resident tal
	k by Jooyeon Rhee\, Dorothy W. Gilpatrick University Endowed Fellow in t
	he Humanities and associate professor of Asian studies and comparative l
	iterature.\n\nThis paper examines detective fiction writer Kim Naesŏng&r
	squo\;s works and his position in modern Korean literature to critically
	 engage with the transnational literary practice in a colonial situation
	. It probes how detective fiction became an important cultural means for
	 Korean writers to express their observations of modernity and how Kim N
	aesŏng&rsquo\;s case demonstrates the fluidity of transnational literary
	 practice that challenges the notion of the origin and the copy. His fac
	ilitation of the motifs of masks\, disguises\, and twins as well as his 
	references to European and Japanese detective fiction bear importance si
	nce they complicate the colonial subjectivity that is incessantly caught
	 in between the origin and the copy while teasing out the ambiguity of i
	mperial hegemony even during the height of the Pacific War through the f
	igure of the doppelgänger. These doppelg&auml\;nger figures play a role
	 in revealing both the desire and the limit of mastering otherness that 
	mark colonial subjectivity.\n\nFor more details: https://events.la.psu.e
	du/event/hirls-jooyeon-rhee_101723/
X-ALT-DESC;FMTTYPE=text/html:<html><head></head><body><p class="desc_nor
	mal"><b>&ldquo;(Un)masking Colonial Subjectivity: Kim Naesŏng and Modern
	 Korean Detective Fiction&rdquo;</b></p><p class="desc_normal">A Faculty
	 Scholar Resident talk by <b>Jooyeon Rhee</b>, Dorothy W. Gilpatrick Uni
	versity Endowed Fellow in the Humanities and associate professor of Asia
	n studies and comparative literature.</p><p>This paper examines detectiv
	e fiction writer Kim Naesŏng&rsquo;s works and his position in modern Ko
	rean literature to critically engage with the transnational literary pra
	ctice in a colonial situation. It probes how detective fiction became an
	 important cultural means for Korean writers to express their observatio
	ns of modernity and how Kim Naesŏng&rsquo;s case demonstrates the fluidi
	ty of transnational literary practice that challenges the notion of the 
	origin and the copy. His facilitation of the motifs of masks, disguises,
	 and twins as well as his references to European and Japanese detective 
	fiction bear importance since they complicate the colonial subjectivity 
	that is incessantly caught in between the origin and the copy while teas
	ing out the ambiguity of imperial hegemony even during the height of the
	 Pacific War through the figure of the doppelgänger. These doppelg&auml
	;nger figures play a role in revealing both the desire and the limit of 
	mastering otherness that mark colonial subjectivity.</p><p>For more deta
	ils: <a href='https://events.la.psu.edu/event/hirls-jooyeon-rhee_101723/
	'>https://events.la.psu.edu/event/hirls-jooyeon-rhee_101723/</a></p></bo
	dy></html>
LOCATION:124 Sparks Building
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