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DTSTART:20201101T020000
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UID:3553-427951074eb3555804bef99f349e4582@events.la.psu.edu
DTSTAMP:20261002T071038Z
DTSTART;TZID=America/New_York:20230301T160000
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SUMMARY:“Desegregating Comics: Debating Blackness in the Golden Age of American 
	Comics” with Qiana Whitted
DESCRIPTION:\nThe Humanities Institute hosts an annual lecture each spri
	ng to celebrate and interrogate the work of the humanities. A part of th
	is event\, the HI Alumni Award\, will be given to a Penn State graduate 
	who has made a significant impact in the humanities.\n\nWednesday\, Marc
	h 1 at 4:00 p.m. EST\n\nPenn State University Park and Livestream\n\nQia
	na Whitted&nbsp\;is a professor in the&nbsp\;Departments of&nbsp\;Englis
	h Language and Literature and African American Studies at the University
	 of South Carolina.&nbsp\;She specializes in twentieth-century African A
	merican literature\, cultural studies\, and American comic books.&nbsp\;
	She is the co-chair of the International Comic Arts Forum and the editor
	-in-chief of&nbsp\;Inks: The Journal of the Comics Studies Society. Her&
	nbsp\;book&nbsp\;EC Comics: Race\, Shock\, and Society Protest&nbsp\;won
	 the 2020 Eisner Award&nbsp\;for Best Academic/Scholarly Work. She is al
	so the author of &ldquo\;A God of Justice?&rdquo\;: The Problem of Evil 
	in Twentieth-Century Black Literature&nbsp\;(2009) and co-editor of&nbsp
	\;Comics and the U.S. South&nbsp\;with Brannon Costello (2012).\n\nDr. W
	hitted&rsquo\;s lecture will take a closer look at debates over race and
	 blackness in American comics produced during the first half of the twen
	tieth century\, as the comic book industry&rsquo\;s Golden Age converged
	 with the era of Jim Crow. While racist caricature remained central to p
	opular comics of the day\, this discussion makes the case for a more com
	plex narrative and aesthetic landscape\, one expanded by the oppositiona
	l reading practices of African American youth and the experimental effor
	ts of comics artists\, writers\, and editors to reach a wider audience. 
	Her lecture will consider\, too\, the impact of race and difference in a
	ccusations about the harm that comic books caused younger consumers\, as
	 well as the more aspirational claims about the way that this popular me
	dium could be used as a tool for social justice during the 1940s and 195
	0s.\n\nThis event will be followed by a reception for attendees.\n\nLear
	n more about this event.\n\nLearn more about Qiana Whitted&rsquo\;s work
	.\n\nFor more details: https://events.la.psu.edu/event/hi_qiana-whitted/
X-ALT-DESC;FMTTYPE=text/html:<html><head></head><body><p>The <a href="ht
	tps://hi.psu.edu/">Humanities Institute</a> hosts an annual lecture each
	 spring to celebrate and interrogate the work of the humanities. A part 
	of this event, the HI Alumni Award, will be given to a Penn State gradua
	te who has made a significant impact in the humanities.</p><p><b>Wednesd
	ay, March 1 at 4:00 p.m. EST<br />Penn State University Park and Livestr
	eam</b></p><p><b>Qiana Whitted</b>&nbsp;is a professor in the&nbsp;Depar
	tments of&nbsp;English Language and Literature and African American Stud
	ies at the University of South Carolina.&nbsp;She specializes in twentie
	th-century African American literature, cultural studies, and American c
	omic books.&nbsp;She is the co-chair of the International Comic Arts For
	um and the editor-in-chief of&nbsp;<i>Inks: The Journal of the Comics St
	udies Society</i>. Her&nbsp;book&nbsp;<b><i>EC Comics: Race, Shock, and 
	Society Protest</i></b>&nbsp;won the 2020 Eisner Award&nbsp;for Best Aca
	demic/Scholarly Work. She is also the author of <i>&ldquo;A God of Justi
	ce?</i>&rdquo;:<i> The Problem of Evil in Twentieth-Century Black Litera
	ture&nbsp;</i>(2009) and co-editor of&nbsp;<i>Comics and the U.S. South&
	nbsp;</i>with Brannon Costello (2012).</p><p>Dr. Whitted&rsquo;s lecture
	 will take a closer look at debates over race and blackness in American 
	comics produced during the first half of the twentieth century, as the c
	omic book industry&rsquo;s Golden Age converged with the era of Jim Crow
	. While racist caricature remained central to popular comics of the day,
	 this discussion makes the case for a more complex narrative and aesthet
	ic landscape, one expanded by the oppositional reading practices of Afri
	can American youth and the experimental efforts of comics artists, write
	rs, and editors to reach a wider audience. Her lecture will consider, to
	o, the impact of race and difference in accusations about the harm that 
	comic books caused younger consumers, as well as the more aspirational c
	laims about the way that this popular medium could be used as a tool for
	 social justice during the 1940s and 1950s.</p><p><b>This event will be 
	followed by a reception for attendees.</b></p><p><a href="https://hi.psu
	.edu/initiatives-and-programs/annual-event/"><b>Learn more about this ev
	ent</b></a>.</p><p><b><a href="https://sc.edu/study/colleges_schools/art
	sandsciences/english_language_and_literature/our_people/directory/whitte
	d_qiana.php">Learn more about Qiana Whitted&rsquo;s work</a>.</b></p><p>
	For more details: <a href='https://events.la.psu.edu/event/hi_qiana-whit
	ted/'>https://events.la.psu.edu/event/hi_qiana-whitted/</a></p></body></
	html>
URL:https://hi.psu.edu/initiatives-and-programs/annual-event/
LOCATION:Robb Hall, Hintz Family Alumni Center
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