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DTSTART:20201101T020000
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DTSTART;TZID=America/New_York:20231004T183000
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SUMMARY:“Duke Ellington’s Symphonic Poems as a Vehicle for Social Change in the 
	Harlem Renaissance,”  Maestro Chelsea Tipton, II
DESCRIPTION:\n&ldquo\;Duke Ellington&rsquo\;s Symphonic Poems as a Vehic
	le for Social Change in the Harlem Renaissance&rdquo\; \n\nMaestro Chels
	ea Tipton\, II\n\nHarlem and Black\, Brown\, and Beige are symphonic poe
	ms written by Duke Ellington\, a cross-over entertainer who enjoyed wide
	 popularity during and after the Harlem Renaissance. These works play wi
	th the types of sounds and the types of music that one would hear while 
	walking through Harlem. In a rhetorically savvy move\, Ellington connect
	ed the jazz world and the classical European orchestra world. Paying hom
	age to mainstream musical genres while also challenging the boundaries o
	f those genres allowed Ellington to inspire empathy at a time when audie
	nces were mostly segregated. Along with colleagues like Louis Armstrong 
	and many others\, Ellington took a strong stand against segregation. Eve
	n through the Little Rock crisis\, Ellington and his contemporaries demo
	nstrated ways that art can be a rhetorical tool that moves people to wan
	t to create a better society.\n\nSponsored by the Department of English\
	; College of the Liberal Arts\; Humanities Institute\; Department of His
	tory\; and the Department of Communication Arts and Sciences.\n\nFor mor
	e details: https://events.la.psu.edu/event/chelsea-tipton_100423/
X-ALT-DESC;FMTTYPE=text/html:<html><head></head><body><p><b>&ldquo;Duke 
	Ellington&rsquo;s Symphonic Poems as a Vehicle for Social Change in the 
	Harlem Renaissance&rdquo; </b></p><p><b>Maestro Chelsea Tipton, II</b></
	p><p><i>Harlem </i>and<i> Black, Brown, and Beige </i>are symphonic poem
	s written by Duke Ellington, a cross-over entertainer who enjoyed wide p
	opularity during and after the Harlem Renaissance. These works play with
	 the types of sounds and the types of music that one would hear while wa
	lking through Harlem. In a rhetorically savvy move, Ellington connected 
	the jazz world and the classical European orchestra world. Paying homage
	 to mainstream musical genres while also challenging the boundaries of t
	hose genres allowed Ellington to inspire empathy at a time when audience
	s were mostly segregated. Along with colleagues like Louis Armstrong and
	 many others, Ellington took a strong stand against segregation. Even th
	rough the Little Rock crisis, Ellington and his contemporaries demonstra
	ted ways that art can be a rhetorical tool that moves people to want to 
	create a better society.</p><p><i>Sponsored by the Department of English
	; College of the Liberal Arts; Humanities Institute; Department of Histo
	ry; and the Department of Communication Arts and Sciences.</i></p><p>For
	 more details: <a href='https://events.la.psu.edu/event/chelsea-tipton_1
	00423/'>https://events.la.psu.edu/event/chelsea-tipton_100423/</a></p></
	body></html>
LOCATION:102 J. Willard and Alice S. Marriott Foundation Building
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